Karl Peter Röhl
1919–1921 Bauhaus student
After completing an apprenticeship as a painter, Karl Peter Röhl studied at schools of applied arts in Kiel and Berlin from 1907 to 1911. He then studied from 1912 to 1914 at the Großherzoglich-Sächsische Hochschule für bildende Kunst (Grand Ducal Saxonian school of arts and crafts) with Walther Klemm and Albin Egger-Lienz.
From April 1919 to the spring of 1921, Karl Peter Röhl was enroled as a student at the Staatliches Bauhaus Weimar, where he had his own studio. During his first semester, he attended Johannes Itten’s preliminary course. In April 1920, he married the Bauhaus student Alexandra (Alexa) Gutzeit.
In 1922, Theo van Doesburg’s De Stijl course took place in Röhl’s studio in Weimar. That same year, Röhl participated in the Constructivist and Dadaist congress in Weimar.
After his period at the Bauhaus he became Walther Klemm’s master student, studying at the newly founded Staatliche Hochschule für bildende Kunst Weimar (state academy of arts) until 1926. From 1926 to 1942, he directed the preparatory class at the Städel School in Frankfurt am Main. In 1933, he became a member of the NSDAP. After being dismissed from his teaching post in 1942, Röhl was sent to the front and subsequently became a prisoner of war. He returned to Germany in 1946 and worked in Kiel as a freelance artist until his death in 1975. Between 1952 and 1955, he also taught at the Goetheschule (Goethe school). He was awarded the Art Prize of the State of Schleswig-Holstein in 1968.
- Siebenbrodt, Michael & Constanze Hofstaetter (1997): Karl Peter Röhl in Weimar 1912–1926, Weimar.
More articles on this topic
The bauhaus100 newsletter will be circulated from time to time with news about the Bauhaus Centenary 2019.
Wilhelm Löber trained in several art forms and over the next centuries never stopped experimenting. Time and again he tried out diverse materials. His style constantly changed. Changeability, not continuity were one of his trademarks. The seamless transition between crafts and art is particularly noticeable in his ceramic works.